Continental Drift: 20 Club Tracks to Strengthen Our Virtual Community
continental-drift-july-august-2020
September 02, 2020
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# Continental Drift: 20 Club Tracks to Strengthen Our Virtual Community
How does a dance music archive function without clubs? Over the past
several months, the premise of a stable future for in-person clubbing
has almost entirely collapsed. Despite several [controversial
attempts][1]{: target="_blank" rel="noreferrer noopener"} by
high-earning European DJs to kick-start the circuit, clubs remain
closed, and the impending economic collapse and inevitable wave of
austerity will further hamper their return. The premise of this column
is that the most dynamic club music of today has the potential to thrive
well beyond the contours of the dance floor, but what happens when that
space almost entirely disappears?
[1]: https://twitter.com/businessteshno
[SoundCloud Content][1]{: target="_blank" rel="noopener noreferrer"}
Dance music's collective memory function has always been fragile,
subject to both shaky recollections of nights out and the sort of
hyper-personal archival practices familiar to users of Discogs, IRC chat
rooms, and forums. The mass Internet has widened the perspective to a
certain extent, but as users shift from one tech platform to another,
the lack of permanence and uniformity in memory has allowed for both
huge gaps and manipulation in what is canonized. For example, the shut
down of private torrent tracker What.CD in 2016 likely meant that
thousands of tracks became unavailable in an instant, once again limited
to the hard drives and CDRs of individuals.
In the face of the worldwide gap in experience and memory that's opened
since March, both the efficacy and failures of the digital archive have
come into focus. Radio has taken on a renewed importance, propagating
sound and knowledge across the airwaves, and the accompanying chat rooms
that many online stations feature have become ground for friends to
reconnect and share in the absence of physical contact. Bandcamp is the
hottest thing in music right now, but it's hard to say exactly how well
its social elements function. The site's "Recommendations" and
"Collections" offer space for interaction, but without the ever-present
feed expected of social media, it often takes on a more traditional
consumer experience.
Especially when undertaken outside of the purview of the major streaming
platforms, playlisting can be a respite from the lack of a tangible
digital public sphere. ZIP folders, CDs, and YouTube playlists of older
music shared with friends can't replace the in-person experience, but
they can allow for a return to a pre-social media mode of sharing. In an
undeniably dark time for both artists and fans, perhaps the moment
offers a chance to return to a more downsized, interpersonal mode of
cultural sociality. With physical mobility limited, this act of
refusal---away from atomized digital consumerism and towards concrete
social behavior---may yet lead to a healthier set of collective memory
practices. Playlists like the one below offer a framing that may extend
the cultural longevity of the music, but nothing beats the camaraderie
built on sharing tracks.
Tracklist:
Amazondotcom & Siete Catorce -- Parti
Ariel Zetina -- Ribbitool
AYA -- Delishus
BADSISTA -- SHEELA
Bamz X Scratchclart -- Dark Gallium (ft. Wookie)
DJ TAMEIL -- Own It
DJ THIAGO O PICA -- Aquecimento das Galáxias 2020
Dominowe -- The Prayer feat. Mr Alhab (Core Tribe)
FRKTL -- Eigenspace
Gooooose & DJ Scotch Egg -- JAC
Lil Lemonade -- NOW! (BSNYEA Edit)
marvelito -- she got a thing (remix) (ft. dj lita & based prince)
Mish -- Berserker
MISSDEVANA -- C'MON (BUBBLINGBEATS)
Mya Gomez -- Tenderheaded
SBF -- Touch The Ground (ft. UNIIQU3)
Shakira -- Tus Ojos Negros (Debit Chopped & Screwed Witchy Remix)
SWAN MEAT -- JEALOUS
Tre Oh Fie -- One Mo Time (Woo)
TRAXMAN -- WAP Juked Out
*Gabe Meier is based in Chicago and has been writing about the latest
evolutions in dancefloor music since 2012. [The Astral Plane][2]{:
rel="noreferrer noopener" target="_blank"} is his primary outlet,
spanning a blog, record label and radio show.* *Follow him on Twitter
[here][3]{: rel="noreferrer noopener" target="_blank"}.*
*Original artwork by [Sofia Apunnikova][4]{: rel="noreferrer noopener"
target="_blank"}*.
[1]: https://w.soundcloud.com/player/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F1121156131&show_artwork=true&maxwidth=500&maxheight=750&dnt=1
[2]: https://dotheastralplane.com/
[3]: https://twitter.com/astralplaneblog?lang=en
[4]: https://www.instagram.com/izokaya/?hl=en
---
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blueprint: article
title: 'Continental Drift: 20 Club Tracks to Strengthen Our Virtual Community'
date: 2020-09-02T11:29:00+02:00
wp_id: '189872'
slug: continental-drift-july-august-2020
teaser_image: legacy/continental-drift-july-august-2020/CW-35_Continental-Drift_SITE-scaled.jpg
contents:
-
type: text
text: '<p>How does a dance music archive function without clubs? Over the past several months, the premise of a stable future for in-person clubbing has almost entirely collapsed. Despite several <a href="https://twitter.com/businessteshno" target="_blank" rel="noreferrer noopener">controversial attempts</a> by high-earning European DJs to kick-start the circuit, clubs remain closed, and the impending economic collapse and inevitable wave of austerity will further hamper their return. The premise of this column is that the most dynamic club music of today has the potential to thrive well beyond the contours of the dance floor, but what happens when that space almost entirely disappears?</p>'
-
type: text
text: '<p><a href="https://w.soundcloud.com/player/?visual=true&url=https%3A%2F%2Fapi.soundcloud.com%2Fplaylists%2F1121156131&show_artwork=true&maxwidth=500&maxheight=750&dnt=1" target="_blank" rel="noopener noreferrer">SoundCloud Content</a></p><p>Dance music’s collective memory function has always been fragile, subject to both shaky recollections of nights out and the sort of hyper-personal archival practices familiar to users of Discogs, IRC chat rooms, and forums. The mass Internet has widened the perspective to a certain extent, but as users shift from one tech platform to another, the lack of permanence and uniformity in memory has allowed for both huge gaps and manipulation in what is canonized. For example, the shut down of private torrent tracker What.CD in 2016 likely meant that thousands of tracks became unavailable in an instant, once again limited to the hard drives and CDRs of individuals.</p><p>In the face of the worldwide gap in experience and memory that’s opened since March, both the efficacy and failures of the digital archive have come into focus. Radio has taken on a renewed importance, propagating sound and knowledge across the airwaves, and the accompanying chat rooms that many online stations feature have become ground for friends to reconnect and share in the absence of physical contact. Bandcamp is the hottest thing in music right now, but it’s hard to say exactly how well its social elements function. The site’s “Recommendations” and “Collections” offer space for interaction, but without the ever-present feed expected of social media, it often takes on a more traditional consumer experience.</p><p>Especially when undertaken outside of the purview of the major streaming platforms, playlisting can be a respite from the lack of a tangible digital public sphere. ZIP folders, CDs, and YouTube playlists of older music shared with friends can’t replace the in-person experience, but they can allow for a return to a pre-social media mode of sharing. In an undeniably dark time for both artists and fans, perhaps the moment offers a chance to return to a more downsized, interpersonal mode of cultural sociality. With physical mobility limited, this act of refusal—away from atomized digital consumerism and towards concrete social behavior—may yet lead to a healthier set of collective memory practices. Playlists like the one below offer a framing that may extend the cultural longevity of the music, but nothing beats the camaraderie built on sharing tracks.</p><p><span style="text-decoration: underline">Tracklist</span>:</p><p>Amazondotcom & Siete Catorce – Parti<br>Ariel Zetina – Ribbitool<br>AYA – Delishus<br>BADSISTA – SHEELA<br>Bamz X Scratchclart – Dark Gallium (ft. Wookie)<br>DJ TAMEIL – Own It<br>DJ THIAGO O PICA – Aquecimento das Galáxias 2020<br>Dominowe – The Prayer feat. Mr Alhab (Core Tribe)<br>FRKTL – Eigenspace<br>Gooooose & DJ Scotch Egg – JAC<br>Lil Lemonade – NOW! (BSNYEA Edit)<br>marvelito – she got a thing (remix) (ft. dj lita & based prince)<br>Mish – Berserker<br>MISSDEVANA – C’MON (BUBBLINGBEATS)<br>Mya Gomez – Tenderheaded<br>SBF – Touch The Ground (ft. UNIIQU3)<br>Shakira – Tus Ojos Negros (Debit Chopped & Screwed Witchy Remix)<br>SWAN MEAT – JEALOUS<br>Tre Oh Fie – One Mo Time (Woo)<br>TRAXMAN – WAP Juked Out</p><p><em>Gabe Meier is based in Chicago and has been writing about the latest evolutions in dancefloor music since 2012. <a rel="noreferrer noopener" href="https://dotheastralplane.com/" target="_blank">The Astral Plane</a> is his primary outlet, spanning a blog, record label and radio show.</em> <em>Follow him on Twitter <a rel="noreferrer noopener" href="https://twitter.com/astralplaneblog?lang=en" target="_blank">here</a>.</em></p><p><em>Original artwork by <a rel="noreferrer noopener" href="https://www.instagram.com/izokaya/?hl=en" target="_blank">Sofia Apunnikova</a></em>.</p>'
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# Continental Drift: 20 Club Tracks to Strengthen Our Virtual Community How does a dance music archive function without clubs? Over the past several months, the premise of a stable future for in-person clubbing has almost entirely collapsed. Despite several [controversial attempts][1]{: target="...
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The mass Internet has widened the perspective to a certain extent, but as users shift from one tech platform to another, the lack of permanence and uniformity in memory has allowed for both huge gaps and manipulation in what is canonized. For example, the shut down of private torrent tracker What...
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Bandcamp is the hottest thing in music right now, but it's hard to say exactly how well its social elements function. The site's "Recommendations" and "Collections" offer space for interaction, but without the ever-present feed expected of social media, it often takes on a more traditional consum...
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Playlists like the one below offer a framing that may extend the cultural longevity of the music, but nothing beats the camaraderie built on sharing tracks. Tracklist: . Amazondotcom & Siete Catorce -- Parti Ariel Zetina -- Ribbitool AYA -- Delishus BADSISTA -- SHEELA Bamz X Scratchc...
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UNIIQU3) Shakira -- Tus Ojos Negros (Debit Chopped & Screwed Witchy Remix) SWAN MEAT -- JEALOUS Tre Oh Fie -- One Mo Time (Woo) TRAXMAN -- WAP Juked Out *Gabe Meier is based in Chicago and has been writing about the latest evolutions in dancefloor music since 2012. [The Astral Plane]...