We Love: Youth Code’s “A Place To Stand” EP
we-love-youth-codes-a-place-to-stand-ep
October 28, 2014
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# We Love: Youth Code’s “A Place To Stand” EP
***We Love* is an opportunity for EB writers to contemplate, rant, and
rave about one of their current musical obsessions and the deeper issues
they inspire. In this installment, Daniel Jones reps the latest EP from
LA industrialists [Youth Code][1]{: target="_blank"}, out now on
[Dais][2]{: target="_blank"}.**
Industrial music was in a really crummy place for a while. After decades
of socially transgressive viciousness, the genre succumbed to toothless
jock posturing, rotten with misogynistic lyrics masquerading as
post-goth poetry and focused more on neon cyber-wardrobes than aural
craftsmanship. [Youth Code][3]{: target="_blank"} don't roll that way.
Their thrash-inducing new EP, *A Place To Stand*, builds on the driving
EBM of their self-titled debut and cranks the dosage of scuzzed-out
hardcore punk to a mind-melting degree.
From the opening blast of "Consuming Guilt," the band pummels listeners
with brutal beats and vocals that are half-spoken word, half-raw and
rusted machine wails. The tracks are imbued with a strong
socio-political edge and (surprisingly) a smart synthpop
sensibility---provided you like your synthpop shrieked at high volume.
Backed up by a selection of strong remixes (my favorite of which is
[Clipping][4]{: target="_blank"}.'s dubbed-over rap on "Wear The
Wounds"), the experience feels far heftier than you'd expect from the
average EP. For anyone seeking the best that industrial music has to
offer in 2014, *A Place To Stand* is essential.
[1]: http://www.electronicbeats.net/artist/youth-code/
[2]: http://daisrecords.com/site/
[3]: https://www.facebook.com/youthcodeforever
[4]: http://clppng.bandcamp.com/
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title: 'We Love: Youth Code’s “A Place To Stand” EP'
date: 2014-10-28T11:00:22+01:00
wp_id: '84895'
slug: we-love-youth-codes-a-place-to-stand-ep
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contents:
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text: '<p><strong><em>We Love</em> is an opportunity for EB writers to contemplate, rant, and rave about one of their current musical obsessions and the deeper issues they inspire. In this installment, Daniel Jones reps the latest EP from LA industrialists <a href="http://www.electronicbeats.net/artist/youth-code/" target="_blank">Youth Code</a>, out now on <a href="http://daisrecords.com/site/" target="_blank">Dais</a>.</strong></p><p>Industrial music was in a really crummy place for a while. After decades of socially transgressive viciousness, the genre succumbed to toothless jock posturing, rotten with misogynistic lyrics masquerading as post-goth poetry and focused more on neon cyber-wardrobes than aural craftsmanship. <a href="https://www.facebook.com/youthcodeforever" target="_blank">Youth Code</a> don’t roll that way. Their thrash-inducing new EP, <em>A Place To Stand</em>, builds on the driving EBM of their self-titled debut and cranks the dosage of scuzzed-out hardcore punk to a mind-melting degree.</p><p>From the opening blast of “Consuming Guilt,” the band pummels listeners with brutal beats and vocals that are half-spoken word, half-raw and rusted machine wails. The tracks are imbued with a strong socio-political edge and (surprisingly) a smart synthpop sensibility—provided you like your synthpop shrieked at high volume. Backed up by a selection of strong remixes (my favorite of which is <a href="http://clppng.bandcamp.com/" target="_blank">Clipping</a>.’s dubbed-over rap on “Wear The Wounds”), the experience feels far heftier than you’d expect from the average EP. For anyone seeking the best that industrial music has to offer in 2014, <em>A Place To Stand</em> is essential.</p>'
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# We Love: Youth Code’s “A Place To Stand” EP ***We Love* is an opportunity for EB writers to contemplate, rant, and rave about one of their current musical obsessions and the deeper issues they inspire. In this installment, Daniel Jones reps the latest EP from LA industrialists [Youth Code...
Chunk #2 (Position: 1)
After decades of socially transgressive viciousness, the genre succumbed to toothless jock posturing, rotten with misogynistic lyrics masquerading as post-goth poetry and focused more on neon cyber-wardrobes than aural craftsmanship. [Youth Code][3]{: target="_blank"} don't roll that way. Th...