FAUZIA’s “Change 4 Me” Draws Strength from the Black History of House Music
fwd-transmissions-fauzia-change-4-me
July 24, 2020
ready
6
# FAUZIA’s “Change 4 Me” Draws Strength from the Black History of House Music
*In our newest content format, *FWD Transmissions, we aim to support
creatives in the aftermath of COVID-19 and to throw the spotlight on
BIPOCs in the industry. Electronic Beats will commission a
track from a producer and bespoke artwork from a visual artist, both to
be debuted exclusively across our channels.
--
"Imagine giving birth to something so beautiful, impactful, insightful,
incredible/ But you don't see that this belongs to me all because of the
powers that be," croons [FAUZIA][1]{: rel="noreferrer noopener"
target="_blank"} in the opening of her *EB* track "Change 4 Me."
It's an earnest response from an artist intent on reminding the
world of dance music's Black roots. The production,
which starts slinky and mellow, only to oscillate with increasing
energy, reveals the Londoner's vulnerable and contemplative facets while
exploring the ebbs and flows of living amidst a political revolution.
[1]: https://soundcloud.com/djfauzia
[Image: Gabriel-Massan-ph-@bernard-1-scaled.jpg]
Artwork from Brazil-born, Berlin-based artist Gabriel Massan accompanies
"Change 4 Me." His visual interpretation channels the "positive and
colorful feelings" he experienced while listening and reimagines the
track's bright, synthetic accents as emissions from abstract shapes,
which Massan sculpted and saturated in vivid, incandescent hues.
FAUZIA has spent the last few years carving out her own lane. Between
her residency on NTS, running the club night Shook, and playing
throughout the U.K. and Europe solo and as part of Rinse FM regulars 6
Figure Gang, she's been quickly dubbed one to watch. Simultaneously, the
artist has been quietly crafting her own sonic world, as heard on
compilations by [R&S Records][1]{: rel="noreferrer noopener"
target="_blank"} and [HAUS of ALTR][2]{: rel="noreferrer noopener"
target="_blank"}. Recently, she also self-released a collection of
tracks featured in her [Discwoman production mix][3]{: rel="noreferrer
noopener" target="_blank"}, which she recorded shortly after finding a
home on the roster in February.
The vast array of sounds FAUZIA explores in her tracks---from club-ready
edits to techno and jungle---is her way of combating the music press
that so often pigeonholes Black artists. "As soon as you put anything
out, people are so quick to tell you 'this is who you are,' and I don't
want that to happen," FAUZIA expresses to me. This is partially why,
this time, she chose to veer into an unexpected deep house cut.
[1]: https://soundcloud.com/r-srecords
[2]: https://soundcloud.com/haus_of_altr
[3]: https://soundcloud.com/discwoman/discwoman-87-x-fauzia
[Image: 91751219_151290606359113_8802524293919704865_n-1.jpg]
"Change 4 Me" is largely inspired by resisting this mis-categorization
of Black artists and the whitewashing of Black-rooted genres. During the
track's production process, an acquaintance, who overheard FAUZIA
playing a short snippet, automatically associated the track's house
sound with a white-led music platform, which FAUZIA has chosen not to
name but believes is another industry establishment that has long
appropriated Black music and culture. Frustrated that the origins of
house and techno are so frequently disregarded, she decided to clarify
her stance on this erasure in the track's defiant opening line.
FAUZIA originally intended to create a fast and energetic track, but
ultimately decided to compose something more stripped back and
reflective of her current ruminative mood. The track features a vocal
sample from one of her favorite soul songs, [Change For Me][1]{:
rel="noreferrer noopener" target="_blank"} by Eric Roberson, who served
as a main inspiration alongside artists like Actress and Kyle Hall. Her
final composition feels like a slow flashback of hazy party memories,
and there's a prickly warmth reminiscent of an old vinyl record. In the
background, a twitchy 808 rattles and slices through a mist of synth
pads hanging suspended in the air, like limbs articulating a rhythm on a
dance floor enveloped in glowing smoke and flickering lights.
FAUZIA wanted to produce something her audiences wouldn't expect. In
spite of her ever-evolving, protean approach towards music, her
intention remains steadfast. She explains, "I need people to know that
this is Black music. Just don't forget that it comes from this place."
*[Tanya Akinola][2]{: rel="noreferrer noopener" target="_blank"} is a
freelance writer whose work has featured on platforms such as Resident
Advisor, Boiler Room, DJ Mag, Mixmag, gal-dem, Dazed and more.*
*[Gabriel Massan][3]{: rel="noreferrer noopener" target="_blank"} is a
visual artist based in Berlin. H*e *has previously collaborated with NTS
Radio, Kaltblut Magazine, and designer Lucas Leão*.
Fauzia's "Change 4 Me" was mastered by DJ Swisha.
[1]: https://www.youtube.com/watch?v=RnvZpaNaZHA
[2]: https://twitter.com/TanyaAkinola
[3]: https://www.instagram.com/gabrielmassan/
---
id: de9ed4d5-865c-4632-b4db-6f49e3905abd
blueprint: article
title: 'FAUZIA’s “Change 4 Me” Draws Strength from the Black History of House Music'
date: 2020-07-24T17:45:16+02:00
wp_id: '188737'
slug: fwd-transmissions-fauzia-change-4-me
teaser_image: legacy/fwd-transmissions-fauzia-change-4-me/CW30_FWDT_1_Site-scaled.jpg
contents:
-
type: text
text: '<p><em>In our newest content format, </em>FWD Transmissions<em>, we aim to support creatives in the aftermath of COVID-19 and to throw the spotlight on BIPOCs in the industry. </em>Electronic Beats<em> will commission a track from a producer and bespoke artwork from a visual artist, both to be debuted exclusively across our channels.</em></p><p>–</p><p>“Imagine giving birth to something so beautiful, impactful, insightful, incredible/ But you don’t see that this belongs to me all because of the powers that be,” croons <a rel="noreferrer noopener" href="https://soundcloud.com/djfauzia" target="_blank">FAUZIA</a> in the opening of her <em>EB</em> track “Change 4 Me.”<strong> </strong>It’s an earnest response from an artist intent on reminding the world of dance music’s Black roots.<strong> </strong>The production, which starts slinky and mellow, only to oscillate with increasing energy, reveals the Londoner’s vulnerable and contemplative facets while exploring the ebbs and flows of living amidst a political revolution.</p>'
-
type: images
images:
- legacy/fwd-transmissions-fauzia-change-4-me/Gabriel-Massan-ph-@bernard-1-scaled.jpg
-
type: text
text: '<p>Artwork from Brazil-born, Berlin-based artist Gabriel Massan accompanies “Change 4 Me.” His visual interpretation channels the “positive and colorful feelings” he experienced while listening and reimagines the track’s bright, synthetic accents as emissions from abstract shapes, which Massan sculpted and saturated in vivid, incandescent hues.</p>'
-
type: text
text: '<p>FAUZIA has spent the last few years carving out her own lane. Between her residency on NTS, running the club night Shook, and playing throughout the U.K. and Europe solo and as part of Rinse FM regulars 6 Figure Gang, she’s been quickly dubbed one to watch. Simultaneously, the artist has been quietly crafting her own sonic world, as heard on compilations by <a rel="noreferrer noopener" href="https://soundcloud.com/r-srecords" target="_blank">R&S Records</a> and <a rel="noreferrer noopener" href="https://soundcloud.com/haus_of_altr" target="_blank">HAUS of ALTR</a>. Recently, she also self-released a collection of tracks featured in her <a rel="noreferrer noopener" href="https://soundcloud.com/discwoman/discwoman-87-x-fauzia" target="_blank">Discwoman production mix</a>, which she recorded shortly after finding a home on the roster in February. </p><p>The vast array of sounds FAUZIA explores in her tracks—from club-ready edits to techno and jungle—is her way of combating the music press that so often pigeonholes Black artists. “As soon as you put anything out, people are so quick to tell you ‘this is who you are,’ and I don’t want that to happen,” FAUZIA expresses to me. This is partially why, this time, she chose to veer into an unexpected deep house cut. </p>'
-
type: images
images:
- legacy/fwd-transmissions-fauzia-change-4-me/91751219_151290606359113_8802524293919704865_n-1.jpg
-
type: text
text: '<p>“Change 4 Me” is largely inspired by resisting this mis-categorization of Black artists and the whitewashing of Black-rooted genres. During the track’s production process, an acquaintance, who overheard FAUZIA playing a short snippet, automatically associated the track’s house sound with a white-led music platform, which FAUZIA has chosen not to name but believes is another industry establishment that has long appropriated Black music and culture. Frustrated that the origins of house and techno are so frequently disregarded, she decided to clarify her stance on this erasure in the track’s defiant opening line. </p><p>FAUZIA originally intended to create a fast and energetic track, but ultimately decided to compose something more stripped back and reflective of her current ruminative mood. The track features a vocal sample from one of her favorite soul songs, <a rel="noreferrer noopener" href="https://www.youtube.com/watch?v=RnvZpaNaZHA" target="_blank">Change For Me</a> by Eric Roberson, who served as a main inspiration alongside artists like Actress and Kyle Hall. Her final composition feels like a slow flashback of hazy party memories, and there’s a prickly warmth reminiscent of an old vinyl record. In the background, a twitchy 808 rattles and slices through a mist of synth pads hanging suspended in the air, like limbs articulating a rhythm on a dance floor enveloped in glowing smoke and flickering lights. </p><p>FAUZIA wanted to produce something her audiences wouldn’t expect. In spite of her ever-evolving, protean approach towards music, her intention remains steadfast. She explains, “I need people to know that this is Black music. Just don’t forget that it comes from this place.” </p><p><em><a rel="noreferrer noopener" href="https://twitter.com/TanyaAkinola" target="_blank">Tanya Akinola</a> is a freelance writer whose work has featured on platforms such as Resident Advisor, Boiler Room, DJ Mag, Mixmag, gal-dem, Dazed and more.</em></p><p><em><a rel="noreferrer noopener" href="https://www.instagram.com/gabrielmassan/" target="_blank">Gabriel Massan</a> is a visual artist based in Berlin. H</em>e <em>has previously collaborated with NTS Radio, Kaltblut Magazine, and designer Lucas Leão</em>. </p><p><em>Fauzia’s “Change 4 Me” was mastered by <a rel="noreferrer noopener" href="https://soundcloud.com/dj-swisha" target="_blank">DJ Swisha</a>. </em></p>'
---
Chunk #1 (Position: 0)
# FAUZIA’s “Change 4 Me” Draws Strength from the Black History of House Music *In our newest content format, *FWD Transmissions, we aim to support creatives in the aftermath of COVID-19 and to throw the spotlight on BIPOCs in the industry. Electronic Beats will commission a track from a pro...
Chunk #2 (Position: 1)
The production, which starts slinky and mellow, only to oscillate with increasing energy, reveals the Londoner's vulnerable and contemplative facets while exploring the ebbs and flows of living amidst a political revolution. [1]: https://soundcloud.com/djfauzia [Image: Gabriel-Massan-ph-@bernard...
Chunk #3 (Position: 2)
Simultaneously, the artist has been quietly crafting her own sonic world, as heard on compilations by [R&S Records][1]{: rel="noreferrer noopener" target="_blank"} and [HAUS of ALTR][2]{: rel="noreferrer noopener" target="_blank"}. Recently, she also self-released a collection of tracks featu...
Chunk #4 (Position: 3)
"As soon as you put anything out, people are so quick to tell you 'this is who you are,' and I don't want that to happen," FAUZIA expresses to me. This is partially why, this time, she chose to veer into an unexpected deep house cut. [1]: https://soundcloud.com/r-srecords [2]: https://soun...
Chunk #5 (Position: 4)
During the track's production process, an acquaintance, who overheard FAUZIA playing a short snippet, automatically associated the track's house sound with a white-led music platform, which FAUZIA has chosen not to name but believes is another industry establishment that has long appropriated Bla...
Chunk #6 (Position: 5)
Her final composition feels like a slow flashback of hazy party memories, and there's a prickly warmth reminiscent of an old vinyl record. In the background, a twitchy 808 rattles and slices through a mist of synth pads hanging suspended in the air, like limbs articulating a rhythm on a dance flo...