2011 Editor’s Picks: Lucia
2011-editors-picks-lucia
December 21, 2011
ready
4
# 2011 Editor’s Picks: Lucia
\[15.07.2021. Content warning: an [*article*][1] published by
J.-H. Kabuiku on July 9th 2021 points out Dominick Fernow's consistent
links with metal and noise artists, bands, labels and productions using
pedophilia and sexual violence imagery, listing a number of regular
collaborators explicitly affiliated with National Socialism and white
power ideology. More on this [*here*][2]*\]*
{: .p1}
Girls
I admit, I'm now probably going against an [article][3]{:
target="_blank" rel="noopener"} that appeared on these very pages, but
I'm a girl, so I can get away with it, right?:) I'm not a chauvinist or
a feminist, I'm just glad that these days you can be a man, woman, dog
or an alien and make whatever strange sounds you wish -- as opposed to
let's say the heavily segregated nineties. From **Maria Minerva**'s
Estonian retro-dance, to **Fatima Al Qadiri**'s oriental chants,
to Laurel Halo's nod to Detroit and Chicago grooves or
**Stellar Om Source**'s esoteric electroid beats to Julia Holter
and **Motion Sickness of Time Trave**l outthere sounds.
**East**
I've been rediscovering Eastern Europe since 2010 with the
[Easterndaze][4]{: target="_blank" rel="noopener"} project. Trawling the
streets of Bucharest, discovering concerts at Skopje's Baazar, talking
to musicians in Poznan, Košice or Gdansk and realizing that the region I
was born in actually is pretty exciting and the music that has been
emerging from this part of the world definitely needs to be heard and
seen. See for yourself [here][4]{: target="_blank" rel="noopener"}.
**Voguing**
With the inevitable return of the nineties, it's no wonder that
voguing, an underground performance art practiced in New York's dinghy
dens, has experienced a comeback too. [Azari&III][5]{:
target="_blank" rel="noopener"} have embraced the voguing heritage in
music, in performance art it's for instance Trajal Harrell's
jaw-dropping piece [(M)imosa][6]{: target="_blank" rel="noopener"}
inspired by the ever-brilliant documentary -- which I've re-watched
several times this year -- *Paris Is Burning*. Hell, there's even a [new
book][7]{: target="_blank" rel="noopener"} about the subject.
**Tapes**
Tapes are no news in contemporary independent music scene. The format
is cute and cheap and thus it's no surprise it's become a middle-ground
between those who want a physical release but can't afford a vinyl. This
year, several tape labels have come to the forefront -- at least mine.
NNA Tapes is one and the Polish Sangoplasmo is another.
[NNA037: Various Artists "Diamond Catalog 'Magnified Palette' Remixes"
c95 \[sample\]][8] by [NNA Tapes][9]
**Techno**
The comeback of techno has been inevitable. The interesting thing about
the resurgence of house's cooler sister is that this year it has been
made by producers you would usually not associate with this dance-floor
oriented genre (or is it only that it has just been finally discovered
by hipsters?). And the semantics of techno have obviously changed too.
What for me is now techno, might not sound like techno to you.
**Container, Vatican Shadow, Diamond Catalog, Innercity, Regis** (one
from the old school) have been making it for me this year.
["Protrusion" by Container][10] by [spectrumspools][11]
[1]: https://jeanhugueskabuiku.substack.com/p/about-vatican-shadow-link-with-the
[2]: https://www.electronicbeats.net/on-vatican-shadow-and-the-far-right/
[3]: http://www.electronicbeats.net/music/features/woman-is-not-a-genre-of-music
[4]: http://www.easterndaze.net
[5]: http://www.electronicbeats.net/tv/external/tv/video/eb-tv-exclusive-feature-azari-iii
[6]: http://www.nytimes.com/2011/02/12/arts/dance/12harrell.html?_r=2
[7]: http://www.souljazzrecords.co.uk/releases/?id=26232
[8]: http://soundcloud.com/nnatapes/nna037
[9]: http://soundcloud.com/nnatapes
[10]: http://soundcloud.com/memorybomb/container-protrusion
[11]: http://soundcloud.com/memorybomb
---
id: 9f897f1a-423b-468d-aa00-140dfd458b3f
blueprint: article
title: '2011 Editor’s Picks: Lucia'
date: 2011-12-21T20:25:04+01:00
wp_id: '11193'
slug: 2011-editors-picks-lucia
contents:
-
type: text
text: |-
<p class="p1"><i>[15.07.2021. Content warning: an </i><a href="https://jeanhugueskabuiku.substack.com/p/about-vatican-shadow-link-with-the"><i>article</i></a><i> published by J.-H. Kabuiku on July 9th 2021 points out Dominick Fernow’s consistent links with metal and noise artists, bands, labels and productions using pedophilia and sexual violence imagery, listing a number of regular collaborators explicitly affiliated with National Socialism and white power ideology. More on this </i><a href="https://www.electronicbeats.net/on-vatican-shadow-and-the-far-right/"><i>here</i></a><i>]</i></p><p><strong>Girls </strong><br>
I admit, I’m now probably going against an <a href="http://www.electronicbeats.net/music/features/woman-is-not-a-genre-of-music" target="_blank" rel="noopener">article</a> that appeared on these very pages, but I’m a girl, so I can get away with it, right?:) I’m not a chauvinist or a feminist, I’m just glad that these days you can be a man, woman, dog or an alien and make whatever strange sounds you wish – as opposed to let’s say the heavily segregated nineties. From <strong>Maria Minerva</strong>‘s Estonian retro-dance, to <strong>Fatima Al Qadiri</strong>‘s oriental chants, to<strong> Laurel Halo</strong>‘s nod to Detroit and Chicago grooves or <strong>Stellar Om Source</strong>‘s esoteric electroid beats to <strong>Julia Holter </strong>and <strong>Motion Sickness of Time Trave</strong>l outthere sounds.</p><p><strong>East</strong><br>
I’ve been rediscovering Eastern Europe since 2010 with the <a href="http://www.easterndaze.net" target="_blank" rel="noopener">Easterndaze</a> project. Trawling the streets of Bucharest, discovering concerts at Skopje’s Baazar, talking to musicians in Poznan, Košice or Gdansk and realizing that the region I was born in actually is pretty exciting and the music that has been emerging from this part of the world definitely needs to be heard and seen. See for yourself <a href="http://www.easterndaze.net" target="_blank" rel="noopener">here</a>.</p><p><strong>Voguing</strong><br>
With the inevitable return of the nineties, it’s no wonder that voguing, an underground performance art practiced in New York’s dinghy dens, has experienced a comeback too. <a href="http://www.electronicbeats.net/tv/external/tv/video/eb-tv-exclusive-feature-azari-iii" target="_blank" rel="noopener">Azari&III</a> have embraced the voguing heritage in music, in performance art it’s for instance Trajal Harrell’s jaw-dropping piece <a href="http://www.nytimes.com/2011/02/12/arts/dance/12harrell.html?_r=2" target="_blank" rel="noopener">(M)imosa</a> inspired by the ever-brilliant documentary – which I’ve re-watched several times this year – <em>Paris Is Burning</em>. Hell, there’s even a <a href="http://www.souljazzrecords.co.uk/releases/?id=26232" target="_blank" rel="noopener">new book</a> about the subject.</p><p><strong>Tapes</strong><br>
Tapes are no news in contemporary independent music scene. The format is cute and cheap and thus it’s no surprise it’s become a middle-ground between those who want a physical release but can’t afford a vinyl. This year, several tape labels have come to the forefront – at least mine. NNA Tapes is one and the Polish Sangoplasmo is another.</p><p><a href="http://soundcloud.com/nnatapes/nna037">NNA037: Various Artists “Diamond Catalog ‘Magnified Palette’ Remixes” c95 [sample]</a> by <a href="http://soundcloud.com/nnatapes">NNA Tapes</a></p><p><strong>Techno</strong><br>
The comeback of techno has been inevitable. The interesting thing about the resurgence of house’s cooler sister is that this year it has been made by producers you would usually not associate with this dance-floor oriented genre (or is it only that it has just been finally discovered by hipsters?). And the semantics of techno have obviously changed too. What for me is now techno, might not sound like techno to you. <strong>Container, Vatican Shadow, Diamond Catalog, Innercity, Regis</strong> (one from the old school) have been making it for me this year.</p><p><a href="http://soundcloud.com/memorybomb/container-protrusion">“Protrusion” by Container</a> by <a href="http://soundcloud.com/memorybomb">spectrumspools</a></p>
---
Chunk #1 (Position: 0)
# 2011 Editor’s Picks: Lucia \[15.07.2021. Content warning: an [*article*][1] published by J.-H. Kabuiku on July 9th 2021 points out Dominick Fernow's consistent links with metal and noise artists, bands, labels and productions using pedophilia and sexual violence imagery, listing a number of re...
Chunk #2 (Position: 1)
More on this [*here*][2]*\]* {: .p1} Girls I admit, I'm now probably going against an [article][3]{: target="_blank" rel="noopener"} that appeared on these very pages, but I'm a girl, so I can get away with it, right?:) I'm not a chauvinist or a feminist, I'm just glad that these days you ca...
Chunk #3 (Position: 2)
Trawling the streets of Bucharest, discovering concerts at Skopje's Baazar, talking to musicians in Poznan, Košice or Gdansk and realizing that the region I was born in actually is pretty exciting and the music that has been emerging from this part of the world definitely needs to be heard and se...
Chunk #4 (Position: 3)
NNA Tapes is one and the Polish Sangoplasmo is another. [NNA037: Various Artists "Diamond Catalog 'Magnified Palette' Remixes" c95 \[sample\]][8] by [NNA Tapes][9] . **Techno** The comeback of techno has been inevitable. The interesting thing about the resurgence of house's cooler sister is t...