Remembering Mike Kelley
remembering-mike-kelley
February 02, 2012
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# Remembering Mike Kelley
I was about fifteen when I started getting into **Sonic Youth**. I can't
remember which song first lured me in; something off *Daydream Nation*,
I think. The abrasive combination of poppy structures and dissonant
chords was my stepping stone to a world beyond what a lot of the other
kids were listening to. Naturally I had to collect everything, and
eventually I snagged a vinyl copy of *Dirty*. The packaging depicts a
series of stuffed creatures, kind of weird and kind of cute; my
girlfriend at the time (an equally big SY fan) frequently tried to make
me similar sorts of things. These creatures, an iconic part of my
teenage years, were designed by **Mike Kelley**.
Kelley's work would enter my life again a year later, this time in the
form of his art student band. I was entering my brooding Ian Curtis
phase, which meant constant replays of **Iggy Pop**'s *The Idiot*.
Anything **Stooges**-related, in fact, found its way to my ears, and it
wasn't long before I dug up a copy of the compiled work of **Destroy All
Monsters** (released by **Thurston Moore**, which ties it nicely
together.) Consisting of Michigan art students (including Kelley) and
later Stooges guitarist **Ron Asheton**, the group's experimental
psych-noise trash sound made my high school years considerably better.
Mike Kelley was found dead Tuesday from an apparent suicide, and it is a
shocking loss and a terrible blow to the world of both music and art.
Though it's been a few years since I've played my old vinyls, today I'm
re-listening to the sounds that helped shape my young mind, and
remembering a man whose work made me realize that music and art really
can be the same thing.
**Destroy All Monsters -- You're Gonna Die**
**Destroy All Monsters -- Vampire**
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title: 'Remembering Mike Kelley'
date: 2012-02-02T15:22:22+01:00
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text: '<p> I was about fifteen when I started getting into <strong>Sonic Youth</strong>. I can’t remember which song first lured me in; something off <em>Daydream Nation</em>, I think. The abrasive combination of poppy structures and dissonant chords was my stepping stone to a world beyond what a lot of the other kids were listening to. Naturally I had to collect everything, and eventually I snagged a vinyl copy of <em>Dirty</em>. The packaging depicts a series of stuffed creatures, kind of weird and kind of cute; my girlfriend at the time (an equally big SY fan) frequently tried to make me similar sorts of things. These creatures, an iconic part of my teenage years, were designed by <strong>Mike Kelley</strong>.</p><p>Kelley’s work would enter my life again a year later, this time in the form of his art student band. I was entering my brooding Ian Curtis phase, which meant constant replays of <strong>Iggy Pop</strong>‘s <em>The Idiot</em>. Anything <strong>Stooges</strong>-related, in fact, found its way to my ears, and it wasn’t long before I dug up a copy of the compiled work of <strong>Destroy All Monsters</strong> (released by <strong>Thurston Moore</strong>, which ties it nicely together.) Consisting of Michigan art students (including Kelley) and later Stooges guitarist <strong>Ron Asheton</strong>, the group’s experimental psych-noise trash sound made my high school years considerably better. </p><p>Mike Kelley was found dead Tuesday from an apparent suicide, and it is a shocking loss and a terrible blow to the world of both music and art. Though it’s been a few years since I’ve played my old vinyls, today I’m re-listening to the sounds that helped shape my young mind, and remembering a man whose work made me realize that music and art really can be the same thing.</p><p><strong>Destroy All Monsters – You’re Gonna Die</strong></p><p><strong>Destroy All Monsters – Vampire</strong></p>'
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Chunk #1 (Position: 0)
# Remembering Mike Kelley I was about fifteen when I started getting into **Sonic Youth**. I can't remember which song first lured me in; something off *Daydream Nation*, I think. The abrasive combination of poppy structures and dissonant chords was my stepping stone to a world beyond what a lot...
Chunk #2 (Position: 1)
I was entering my brooding Ian Curtis phase, which meant constant replays of **Iggy Pop**'s *The Idiot*. Anything **Stooges**-related, in fact, found its way to my ears, and it wasn't long before I dug up a copy of the compiled work of **Destroy All Monsters** (released by **Thurston Moore**, whi...