Farewell Sandwell District, hello new mix
farewell-sandwell-district-hello-new-mix
January 03, 2012
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id: ca1ccf22-66e5-463c-b632-fcd2a3a85720
blueprint: article
title: 'Farewell Sandwell District, hello new mix'
date: 2012-01-03T13:33:32+01:00
wp_id: '11233'
slug: farewell-sandwell-district-hello-new-mix
teaser_image: legacy/farewell-sandwell-district-hello-new-mix/sandwell-district_closed_electronic-beats.jpg
contents:
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<p>Where next? The title of <strong>Sandwell District</strong>‘s Tumblr blog has always been a reflection on the techno label’s rapid rise in popularity – and its future. Since the blog began in April 2009, ‘Where Next’ documented the hype around <strong>Karl O’Connor</strong>‘s (aka <strong>Regis</strong>, <strong>British Murder Boys</strong>) and <strong>Dave Sumner</strong>‘s (aka <strong>Function</strong>) platform and record company. Now where next? On December 30th 2011, Sandwell District declared that they would cease the label and brand as we knew it:</p><p>‘<em>Beginning the 31st of December 2011, regular audio communications from Sandwell District will cease</em>‘, states the black and white layouted closing note. ‘<em>All vinyl artefacts have been decommissioned. (…) Stasis is death. See you on the other side.</em>‘</p><p>Sandwell District’s message says that there’s still a possibility of new releases (‘<em>print communications with audio accompaniment</em>‘), although these would be appearing irregularly. As for Sandwell District as an artistic project, ‘<em>live actions</em>‘ expanding ‘<em>into new sonic territory</em>‘ and ‘<em>audio / print installations</em>‘ may be expected.</p><p>Founded in 2002, the label served as a platform for the releases of <strong>Silent Servant</strong>, <strong>Regis</strong>, <strong>Vandross</strong> and <strong>Kalon</strong>, which received very good press. In <a href="http://de-bug.de/mag/6956.html" target="_blank">a 2009 interview</a>, Sumner already mentioned concerns about the platform’s rise in popularity and his thoughts of closing Sandwell District down – that was in late 2009, which is why the announcement shouldn’t come as a big surprise. Still, it’s sad to see that one of the constants of contemporary techno music is gone.</p><p>Before leaving, Sandwell District published a new mix, which might well serve as an outlook on future musical territories, since it contains not-so-techno tracks by <strong>John Maus</strong>, <strong>Throbbing Gristle</strong>, <strong>Malaria</strong>, <strong>Delia Derbyshire</strong> and <strong>Barry Bermange</strong>. And since the free mp3 mix goes by the tagline ‘<em>(Sounds) Quarterly #1</em>‘, we’ll just have to wait and see what kind of audio communications the Sandwell District situationists might be having in store for April 2012.</p><p><em>Photo: <a href="http://creativecommons.org/licenses/by/2.0/" target="_blank">CC</a> | <a href="http://www.flickr.com/photos/ell-r-brown/" target="_blank">Ell Brown</a> / Flickr</em></p><p><em><span style="text-decoration: underline">The author on Twitter</span></em>:<br>
<a class="twitter-follow-button" href="https://twitter.com/wwwacht">Follow @wwwacht</a><br>
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# Farewell Sandwell District, hello new mix Where next? The title of **Sandwell District**'s Tumblr blog has always been a reflection on the techno label's rapid rise in popularity -- and its future. Since the blog began in April 2009, 'Where Next' documented the hype around **Karl O'Connor**'s ...
See you on the other side.*' Sandwell District's message says that there's still a possibility of new releases ('*print communications with audio accompaniment*'), although these would be appearing irregularly. As for Sandwell District as an artistic project, '*live actions*' expanding '*into ne...
And since the free mp3 mix goes by the tagline '*(Sounds) Quarterly #1*', we'll just have to wait and see what kind of audio communications the Sandwell District situationists might be having in store for April 2012. *Photo: [CC][2]{: target="_blank"} \| [Ell Brown][3]{: target="_blank"} / Flickr...