A Maya Jane Coles Mentor Goes Deep on Her New Album
a-maya-jane-coles-mentor-goes-deep-on-her-new-album
June 10, 2015
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# A Maya Jane Coles Mentor Goes Deep on Her New Album
The *Nocturnal Sunshine* album opens with the melodic "Intro (Holding
On)," where Maya's sparse vocals add a touch of soul to a deep and
trippy workout. The style she excels at tends to rely on distant vocals
that catch the ear without dominating the melodies and skipping beats
that propel listeners effortlessly through a track. "Skipper" holds true
to that formula and reminds me of some great moments in electronic
music; the band Future Sound of London springs to mind.
Maya also excels when working with other artists, and she has a keen eye
for who's pushing the envelope. On "Down by the River," produced
alongside Buenos Aires production duo Catnapp, varied influences combine
beautifully, while "Believe," which features vocalist Chelou, feels like
a slice of modern electronic soul. Maya has heavily championed Chelou,
and rightly so. I was able to listen to Chelou's first EP *The Quiet*
before many others and instantly liked the tone of his vocal.
[SoundCloud Track (203848602)][1]{: target="_blank" rel="noopener
noreferrer"}
Maya has a way of evoking different genres as if she lived through them
all, and dubby vibes continue to crop up throughout the record. On
"Drive," deep sleazy vocals are layered over a growling groove,
representative of the early electronic dub scenes of the '90s with a
modern twist. The monstrous "Bass Bin" nods to old-school dub reggae,
and the melodies in "It's Alright" remind me of early Leftfield/Nexus 21
tracks---a good thing in my book.
[SoundCloud Track (193807340)][2]{: target="_blank" rel="noopener
noreferrer"}
Several tracks on offer are heavily reminiscent of Maya's early material
as Nocturnal Sunshine. "Take Me There" does what it promises, with
intelligent beats and pitched-up vocals in the mix. Closing out the
record is "Hotel," another classic Nocturnal track and instantly
recognizable, as if you've known it forever. This is forward-thinking,
intelligent soul at its best.
[1]: https://api.soundcloud.com/tracks/203848602
[2]: https://api.soundcloud.com/tracks/193807340
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title: 'A Maya Jane Coles Mentor Goes Deep on Her New Album'
date: 2015-06-10T10:37:15+02:00
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text: '<p>The <em>Nocturnal Sunshine</em> album opens with the melodic “Intro (Holding On),” where Maya’s sparse vocals add a touch of soul to a deep and trippy workout. The style she excels at tends to rely on distant vocals that catch the ear without dominating the melodies and skipping beats that propel listeners effortlessly through a track. “Skipper” holds true to that formula and reminds me of some great moments in electronic music; the band Future Sound of London springs to mind.</p><p>Maya also excels when working with other artists, and she has a keen eye for who’s pushing the envelope. On “Down by the River,” produced alongside Buenos Aires production duo Catnapp, varied influences combine beautifully, while “Believe,” which features vocalist Chelou, feels like a slice of modern electronic soul. Maya has heavily championed Chelou, and rightly so. I was able to listen to Chelou’s first EP <em>The Quiet</em> before many others and instantly liked the tone of his vocal.</p><p><a href="https://api.soundcloud.com/tracks/203848602" target="_blank" rel="noopener noreferrer">SoundCloud Track (203848602)</a></p><p>Maya has a way of evoking different genres as if she lived through them all, and dubby vibes continue to crop up throughout the record. On “Drive,” deep sleazy vocals are layered over a growling groove, representative of the early electronic dub scenes of the ’90s with a modern twist. The monstrous “Bass Bin” nods to old-school dub reggae, and the melodies in “It’s Alright” remind me of early Leftfield/Nexus 21 tracks—a good thing in my book.</p><p><a href="https://api.soundcloud.com/tracks/193807340" target="_blank" rel="noopener noreferrer">SoundCloud Track (193807340)</a></p><p>Several tracks on offer are heavily reminiscent of Maya’s early material as Nocturnal Sunshine. “Take Me There” does what it promises, with intelligent beats and pitched-up vocals in the mix. Closing out the record is “Hotel,” another classic Nocturnal track and instantly recognizable, as if you’ve known it forever. This is forward-thinking, intelligent soul at its best.</p>'
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# A Maya Jane Coles Mentor Goes Deep on Her New Album The *Nocturnal Sunshine* album opens with the melodic "Intro (Holding On)," where Maya's sparse vocals add a touch of soul to a deep and trippy workout. The style she excels at tends to rely on distant vocals that catch the ear without d...
Chunk #2 (Position: 1)
I was able to listen to Chelou's first EP *The Quiet* before many others and instantly liked the tone of his vocal. [SoundCloud Track (203848602)][1]{: target="_blank" rel="noopener noreferrer"} . Maya has a way of evoking different genres as if she lived through them all, and dubby vi...